The sequel to the beloved Cybernator made the jump to PlayStation in 1999, and the soundtrack reflects that generational leap with richer, more cinematic orchestration while keeping the militaristic DNA of the original intact.
Read more
"Opening" and "Valken Start!" get the adrenaline flowing immediately, but it's the character themes that give this score its soul -- "Theme of Uraga Tatsuya" and "Theme of Celes Alseria" provide the human anchors in a story about massive mechanized warfare, each carrying distinct emotional weight for their respective pilots.
The mech designation tracks are a treat for series fans. "Experimental AS EXZAS Alpha" and "Marvel EXZAS BETA" give the experimental assault suits their own musical identities, while "AS-5A Leynos" is a direct callback to the series' roots (Assault Suits Leynos being the first game in the franchise, known as Target Earth in the West).
"Theme of The Outer Space Treaty Organization Army" is gloriously over-specific in its titling and delivers exactly the kind of imposing military march you'd expect from an interplanetary defense force. The battle tracks cover a satisfying range of tactical scenarios: "Lunar Battle" takes the fight to the moon, "Entering The Atmosphere" captures the white-knuckle intensity of orbital re-entry under fire, and "Scramble" has that urgent deployment energy.
"Requiem" and "Suffering" ensure the human cost of war isn't forgotten amidst all the giant robot action, while "Moment of Rest (Time)" provides a rare pause to breathe. "All Machines Return" carries the weight of a mission's end -- not triumphant, just the exhausted relief of survival.