Thick SNES-style synths building tension from the first note. Coronation Day Continuation channels that 16-bit sound chip hard, with 45 tracks all named "The" something. "The Betrayal" hits with gritty distorted bass that the SPC700 would have struggled to push out.
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"The Labyrinth" layers looping phrases that fold in on themselves. And "The Furnace" goes full intensity with stacked channels. Every track is short, titled like chapters in something you're not sure you want to finish. "The Withdrawal," "The Addiction," "The Crash."
The names alone tell a story. Feels like a concept album disguised as a game soundtrack. If you miss when composers fought hardware limits to make something feel big, start here.