Kensuke Ushio's score for Devilman Crybaby is a masterpiece of tonal vertigo. Electronic club beats slam into orchestral devastation. "Sabbath I" and "60311" capture the rave-to-horror pipeline that defines the show's aesthetic.
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"D.V.M.N." reimagines the classic Devilman theme through a modern electronic lens. "Buddy, Ryo" carries the series' central relationship with deceptive warmth — knowing where that friendship ends makes every gentle note feel like a trap.
"Miki" and "Miki The Witch" give the show's heart her own musical duality. "Devilman No Uta" updates Go Nagai's original theme with respect and reinvention. The back half descends into "Crisis," "Black Mist," "Nightmare," and "Judgement" — the soundtrack mirroring humanity's collapse.
"Tears" and "Sincerity" hit like emotional defibrillators between the horror. "Prayer" is the kind of track that stays with you long after the credits. Ushio created something that's as much an art piece as a soundtrack.