Dense, alien, pulsing electronica that sounds like it's being transmitted from inside a living organism. G-Darius hit arcades in 1997 and brought Zuntata's signature weirdness to the Darius series across arcade, PlayStation, and PC.
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A shooter soundtrack that refuses to sound like one. "KIMERA II" is brooding, almost industrial, building like something growing in a petri dish. "Adam" goes full ambient dread, dissonant and beautiful. And "biophoton" floats in this strange space between dance music and biological horror.
Track names pulled from genetics and virology. The whole thing sounds like late-90s Warp Records decided to score an arcade shmup. Nothing else from that era touches it. If you want proof that game music was doing experimental electronic before it was cool, press play.