Power Instinct in the West, Gouketsuji Ichizoku in Japan, and one of the weirdest fighting game soundtracks of 1994 regardless of what you call it. Atlus brought genuine musical personality to every corner of this game, from character themes that actually reflect each fighter's background to system jingles with more charm than most games' main themes.
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"Prayer to the 100 Yen Coin" is a title you can only get from a Japanese arcade game that knows exactly what it is. Keith Wayne's "I Want to Be a Hero" is earnest in a way that borders on parody, while White Buffalo's "The Amiyai Tribe Tatanka's Song" pulls from indigenous musical motifs.
Angela Belti gets the hard-hitting "DAY OF THE KILLER," and Thin Nen's "Gale" cuts through with sharp intensity. "A Man's Karate Way" for Reiji Oyama is exactly the no-nonsense martial arts theme you'd expect. "Winner Ondo" turning the victory screen into a festival dance number is peak Gouketsuji energy.
"Toughest Attack Small Kick Tune" for the bonus game has one of the most endearingly specific track names in fighting game history. This is a soundtrack that never stops having fun with itself, and that infectious personality is what kept Power Instinct punching above its weight against the Capcoms and SNKs of the world.