Big orchestral swells crashing into electric guitar. The Highlander game from 2009 got an unreleased Richard Jacques score, and honestly it goes way harder than a middling action game deserved. "There Can Be Only One" opens with exactly the kind of bombastic energy you'd expect from the franchise.
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"Temple At Dawn" shifts into something more Eastern and atmospheric, while "Advance of the Mechs" throws in these pounding industrial rhythms for the future sections. The soundtrack time-hops just like the game, from Scottish highlands to feudal Japan to a sci-fi future.
Each era gets its own flavor. "Highlands Lament" is genuinely moving for a game most people forgot existed. PS3/360-era production with a film score ambition. If you want proof that composers sometimes outperform the games they score for, start here.