Heavy, driving rock with a dark edge that sets the tone before Side-B even existed. Lost Child's Side-A by S.S.H came first, and you can hear the foundation being laid. Sixteen tracks of intense guitar work from the 2003 Windows doujin scene.
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Eclipse opens with brooding intensity that slowly ramps into something ferocious. Anger Avenger is where all restraint drops and everything gets loud. L.L. appears twice, a short version and a long version, like the composer knew this one theme needed room to breathe.
The Decisive Showdown, Too Much Pain, Shadow Run. Track names that read like a checklist of escalating bad situations. Heavy Edge lives up to its name completely. If you want the origin point of S.S.H's work on Lost Child before it got even more intense, start here.