Twenty-two tracks with bilingual titling — every track named in both English and Japanese, revealing how translation shifts meaning. "Gate of Dawn / 黎明の扉" (Door of Dawn). "Holy Ghost / 精霊の囁き" (Whisper of Spirits). "Embryo / 侵蝕" (Erosion/Corruption) — the English suggests beginning while the Japanese suggests decay.
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The dual naming is an alchemical text in itself. "Battle -Elementals / 四大精霊" (Four Great Spirits) and "Battle -Glenn / 黒き獣" (Black Beast) and "Battle -Dieval / 白き神" (White God) form a combat trilogy escalating from elemental spirits through a dark beast to a divine entity.
"Sigil / 刻印" (Inscription) and "Pleroma / 羽根の音色" (Sound of Feathers) draw from Gnostic and occult terminology. "Shadow / イリアステルの影" (Shadow of Iriaster) names a specific entity. "Horos / 境界" (Boundary) uses the Greek Gnostic concept of divine limits.
"Opus / 変容" (Transformation) references the alchemical great work. Twenty-two tracks of occult-flavored fantasy scoring where the dual language creates a richer mythology than either tongue alone could provide.