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Fourteen unnamed tracks for an Atari Jaguar game, which automatically puts this in the rarest tier of game music. The Jaguar's sound hardware was capable but underutilized due to the console's small library, and anything from this platform has inherent curiosity value.
Fourteen tracks suggests decent musical ambition for a late-era Jaguar title. Without track names or much documentation, this is pure archaeological game audio. The Jaguar sat between SNES and PS1 capabilities, giving it a distinct sonic character that neither competitor shared.
Fourteen pieces of music from a dead console's twilight. If you collect game music from failed hardware, the Atari Jaguar catalog is the deepest rabbit hole, and Morph is fourteen tracks deep into it.