A single sustained tone hums in empty space before piano notes drop in like water on stone, and Robyn Miller is back. The Myst and Riven composer returned to Cyan Worlds after nearly twenty years to score Obduction, and you can hear both the continuity and the distance.
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"The Space Between Worlds I" builds this slowly expanding ambient architecture that recalls Myst's island without copying it, while "Mutated Clockwork" introduces mechanical textures that feel genuinely alien. "From The Innocent Earth" carries this quiet weight, and the track titles themselves read like poetry.
Miller originally said he wouldn't do the soundtrack, then did it anyway. If you've ever stood still in a Cyan game just to let the music fill the space around you, Obduction proves Miller still understands exactly how that silence should break.