Really interesting split personality on this one. Otogizoushi's second music collection covers both the Heian-era supernatural arc and the modern Tokyo arc of the anime, so the sound whips between traditional Japanese scoring and slick early-2000s electronica.
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"NIGHTMARE" and "NO ESCAPE" have this dense, anxious layering that works perfectly for the darker mythology stuff. Then "TOKYO NIGHT" and "WEEKEND" pivot into urban trip-hop territory. Totally different show, basically. "SLEEPLESS MOON" sits in this haunted space between both worlds.
The guitar version of "SHINE AND SIGN" strips things down in a way that hits different from the original. If you watched this show for its wild tonal shifts, the soundtrack mirrors that perfectly.