Two tracks. That's it. But when your track title has that many crosses and capital letters, you're not here for subtlety. "NIGHTMARE † CITY -GENOC†DE-" is rhythm game maximalism cranked past the redline, the kind of dense, aggressive electronic production that BMS and adjacent scenes thrive on.
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The long version gives it room to breathe (barely). Then the VIP edit by Orenji and Rukasuyo takes the same material and reshapes it, harder edges, different energy. This is 2025 doujin rhythm game music doing what it does, being completely uncompromising about tempo and intensity.
Not much to say about two tracks except that they go absurdly hard. If you play rhythm games at tournament speed, you already know what this is.