Mick Gordon's full score for Prey is a masterclass in sustained dread. "The Experiment" opens with clinical precision before things unravel. "The Phantoms" turns hostile alien presence into pure sound, all glitching textures and wrong frequencies.
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"Into the Tunnels" is claustrophobic, the audio equivalent of checking every corner. "Semi Sacred Geometry" plays with mathematical beauty twisted into something threatening. "Alex Theme" and "December and January" provide rare human warmth, piano lines that feel like memories from before everything broke.
"Neuromods" pulses with body-horror curiosity. "Mind Games" closes on pure paranoia. "Stranded" captures the loneliness of Talos I perfectly. If Arkane's brand of immersive sim tension ever grabbed you, this score is why half of it worked.