Doujin synth-rock with a Lovecraftian undercurrent that shouldn't work but absolutely does. "Arkham in the Rain" pairs moody keys with that distinctly late-2000s Japanese indie sound, half visual novel, half prog experiment.
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"Chase of Desert" drives harder, pulling percussive urgency against atmospheric pads. "Gate of the Dream Land" floats in comparison, dreamlike and detached. The Team Nekokan connection gives everything that vocal-driven doujin flavor, blending Vocaloid-adjacent pop sensibility with surprisingly dark compositional choices.
"Gramary War" leans into the occult theme with layered intensity. A strange little collection. For anyone who digs the overlap between Japanese indie circles and cosmic horror aesthetics, this is a fascinating rabbit hole.