Peter McConnell basically invented a genre here: psychic summer camp jazz-funk-horror. "The Milkman" is paranoid suburban spy music that shouldn't work as well as it does, all clipped rhythms and suspicious basslines. "Black Velvetopia" goes full velvet painting flamenco.
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"Gloria's Secret Garden" swings between theatrical melodrama and genuine sadness in ways that sneak up on you. "Sasha's Immaculate Mind" is clean, clinical, precise, exactly what you'd expect from a German psychonaut's brain.
Then "The Meat Circus" throws everything into a blender of carnival nightmare. Even "Emotional Baggage" hits different when you remember what it's scoring. If you've never explored these mental worlds, the music alone makes the case.