Eight tracks of concentrated atmosphere pulled from the edges of SMT IV's world, and the 3DS speakers barely contained this stuff. Ryota Kozuka and the Atlus sound team put together preludes and hallucinations that feel like the moments between consciousness in the Unclean Ones' domain.
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Prelude I through III build this escalating tension that never fully resolves. The hallucination tracks warp into something more abstract and unsettling, like your brain is glitching. Then overture finally opens up into something grander.
Reincarnation closes it out with weight. The whole collection feels like a tone poem about Mikado and Tokyo colliding. If you want the experimental side of modern MegaTen composition distilled into under an hour, start here.