Smoky jazz piano tumbles through cave systems like it belongs there. Eirik Suhrke built this 47-track score using a 1986 synthesizer, early-90s audio software, and live instrumentation from friends on sax, bass, and drums.
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"Mines A" sets the tone with its mid-tempo groove and chiptune textures blending into real jazz voicings, while "City of Gold" goes full reverent with shimmering synths. "Wrath of Yama" closes things out with the intensity the final boss deserves.
The whole thing moves between cute, somber, and tense without ever breaking character. Died a thousand times in those caves but always stuck around partly because the music made every restart feel fresh.