Three tracks. That's all you get on this sampler, and somehow it's enough to prove Amon Tobin was an insane choice for Splinter Cell: Chaos Theory. The Lighthouse is this brooding, glitchy thing that sounds like broken machinery slowly becoming aware of itself, all processed percussion and organic textures folded into something deeply unsettling.
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Theme From Battery shifts into more rhythmic territory, angular beats that feel like they're stalking you through the mix. El Cargo rounds it out with dense, layered sound design that blurs the line between score and abstract electronic art.
Just three songs but they rewrote what stealth game music could sound like. Track down the full soundtrack immediately if this sampler catches your ear.