Medieval folk instruments filtered through a grimy, brutal lens. Tails of Iron sounds like a dark fairy tale told by someone who actually lived through it. Frogs Are Coming has this mounting dread with low strings and war drums that makes every frog invasion feel genuinely threatening.
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The Moleshevik Radio tracks are a total left turn though, these lo-fi industrial pieces that play from in-game radios and give the mole areas this oppressive underground vibe. Then The Arena Pit just goes full aggressive with pounding percussion and distorted fiddle.
The whole score commits so hard to this rats-in-a-dark-ages world. If you bounced off the game before reaching the mines, you missed where the soundtrack really opens up.