Turn-of-the-millennium mecha scoring that hits all the right early 2000s anime beats. The Candidate for Goddess has that classic space opera sound, synth pads layered with orchestral stabs and j-pop vocal bookends. "Towards Zion" opens with this driving energy that screams mecha launch sequence.
Read more
"Brilliance" carries the emotional weight of the whole series, and the fact that it comes back as a piano solo and an instrumental version tells you how central that melody is. "Attack of Victims" goes full tension with aggressive percussion and dissonant brass.
The combat cues hit hard for a show that never got its full run. If you're into early 2000s mecha anime and that era's sound, this scratches the itch.