Gerudo Valley's guitar riff lives in a permanent loop in my brain and I'm not even sorry. Koji Kondo composed the Ocarina of Time soundtrack on Nintendo 64 hardware and somehow made every location feel like its own world.
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Lost Woods bounces with that infectious Saria's Song energy that you will never unhear once it locks in. Zora's Domain is pure liquid calm, the reverb on those synths doing exactly what the N64 sound chip was designed to fake.
Temple of Time hits with a weight that makes a 64-bit console sound like a cathedral. Then Windmill Hut just exists in its own chaotic orbit. If you grew up with an N64 controller in your hands, half these melodies are already hardwired into your memory.