That main theme hits with industrial grime and gothic atmosphere that immediately tells you what kind of night you're in for. Rik Schaffer scored Vampire: The Masquerade Bloodlines like he was soundtracking a Los Angeles that only exists between midnight and 4 AM.
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Hollywood's theme drips with this sleazy noir energy, all reverb-soaked guitar and distant synths. Santa Monica feels almost peaceful by comparison, but there's always something wrong underneath. Then Nosferatu Warens drops you into pure dread.
Just suffocating ambient tension. The combat tracks go hard too, especially the Disturbed and Twisted variants that layer distortion over the exploration themes. If you played this in 2004 and haven't revisited the soundtrack alone, you owe yourself that.