Another angle on "No Mercy," and honestly the Type B version might hit even harder than you expect. Ishiwatari's arrangement philosophy with these GGX Extra discs was to keep refracting the same composition through different production choices, and Type B lands somewhere rawer, more stripped back.
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The central riff stays locked in, that signature Guilty Gear tension between metal precision and fighting game momentum. You can hear the Dreamcast era in the mixing, a warmth that newer productions polish away. It's a fascinating comparison piece if you line it up against the other types.
For anyone building a complete Guilty Gear music collection, this is the kind of variant pressing that rewards close listening with headphones on and the lights off.