Arina Tara scored REVEIL like a lullaby that slowly curdles into a nightmare, which is exactly right for a psycho-horror game set in a 1960s circus. "We Will Go" opens with this deceptively warm vocal presence before the instrumentals start pulling apart underneath it.
Read more
The acoustic version strips everything back to just voice and guitar, almost painfully intimate. Then you hit "Train Ghosts" and "Something in the Walls" and the whole atmosphere collapses into dread, all creaking textures and dissonant swells.
"Hard to Stomach" lives up to its name. The contrast between the vocal tracks and the score pieces creates this fractured quality, like flipping between memory and hallucination. If circus horror is your thing, this soundtrack alone will unsettle you.