Gerard Marino brought his God of War intensity to Spider-Man and it works way better than it should. Edge of Time's score leans hard into cinematic orchestral bombast, all pounding brass and urgent string runs that make every hallway fight feel like a world-ending event.
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"Chasing Anti-Venom" layers frantic percussion under these desperate melodic phrases that genuinely sell the panic of the chase. "The Death of Spidey" goes full tragic, pulling back into something quieter and heavier. Then "Fighting Black Cat" snaps right back into this propulsive, aggressive groove.
The game itself got mixed reviews, but Marino's score treats every moment like it matters. Worth revisiting if you appreciate superhero scores that commit fully to the drama.